Natalie dessay opera critic

Photo by Simon Fowler By George Loomis When the Teatro Real in Madrid announced its season last month, it contained one detail about casting that was of more than passing interest. She expressed a desire to turn her attention to straight drama instead. Now it appears that reports of her exit as an opera singer were greatly exaggerated.

Natalie dessay opera critic

Even having seen the Salzburg production on DVD, the images on stage are still startling.

Natalie dessay opera critic

Set against a steeply curved, corrugated white wall, Violetta is pursued by a teeming throng of tuxedo-clad men, then lifted and paraded on a bright red sofa. From the massive crowd of males comes the sound of female chorus singing, and it is soon realised that the women, for effect, are all dressed as men.

The Opera Quarterly

More stodgy than dashing, he is nonetheless playful in the opening of act two, where his two arias are set to a frisky game of hide and seek with Violetta. The country house is illustrated by incredibly lush floral fabric, which is not only seen draped over the furniture and as robes for the lovers but also hung as a massive backdrop.

The giant clock becomes a roulette table, with the minute hand spun by the gamblers. Seeing Dessay live was well worth the wait, her commitment and focus riveting throughout. Her singing, while possibly a little light on volume, is absolutely exquisite and it is her raw and emotional acting that really completes the picture.

27 October 2007

Beginning with her exhausted, staggering entrance to the death strains of the overture, Dessay is vulnerable and exposed, giving of herself completely with her performance. Matthew Polenzani is a solid Alfredo, his gloriously rich tenor voice his greatest asset.

Natalie dessay opera critic

Dmitri Hvorostovsky must be the most handsome and sexy Giorgio in the world. His presence and power are unmatched in the role, his sheer enjoyment of performing shining through despite his commitment to the serious nature of the role.

While Dessay nailed each and every one of her solo arias to perfection, the ultimate highlight of the evening is the extended scene between Dessay and Hvorostovsky as Violetta and Giorgio. The highly unconventional staging still causing controversy, most theatregoers were heard arguing its merits and drawbacks on their way out.

Simon Parris Share this:The opera was written by Donizetti while he was living in Paris between and preparing a revised version of his then-unperformed Italian opera, Poliuto as Les martyrs for the Paris Opéra. The critic and poet Théophile Gautier, who was not a rival composer, Natalie Dessay, Juan Diego Flórez.

La Dessay Sings Again. After a terrible series of vocal problems and surgeries, my favorite French soprano, Natalie Dessay, has returned to singing.


On May 28, she performed in the opening concert of the Festival de Saint-Denis, in the famous abbey basilica. · critic's picks · concert reviews and previews;.

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While the alluring French soprano Natalie Dessay’s vocally accomplished and dramatically fearless account of the title role was the center of attention, this was one of those shows where everything comes together on a high plane of excellence.

Oct 07,  · "French soprano Natalie Dessay gave a recent recital in London that one critic called 'sublime' and her latest CD of French art songs has been well received, but she says her fans will never see her again on the opera stage that made her famous.